Etiquetas Anita Cameron + George Florum + Chris Hronis

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Orden de clasificación
✔ Por defecto
✔ Título de la foto, A → Z
✔ Título de la foto, Z → A
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✔ Fecha de creación, más antigua → más reciente
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✔ Fecha de publicación, más antigua → más reciente
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✔ Puntuación, menor → mayor
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✔ Visitas, baja → alta
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Inicio / Albumes / Etiquetas Anita Cameron + George Florum + Chris Hronis 2

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ADAPT (481)
14—Rocky Mountain News., April 25, 1989, Denver, Colo PHOTO by KEN PAPALEO/Rocky Mountain Naws A group of ADAPT people in wheelchairs and sitting on the ground form a blockade in front of a major entryway to the Radisson Hotel. The hotel doormat is visible in front of the group. Behind them a single cop, with his arms folded across his chest, stands to one side of the door. From left to right the group includes: a woman in a manual chair, Bob Kafka sitting on the ground, Barb Guthrie facing out and behind her someone in a wheelchair facing in, next to that person is a person on the ground and in front of that person is Anita Cameron in a cap and holding her white cane, in front of her is an empty wheelchair facing the group. Next to Anita is Stephanie Thomas on the ground with her chair facing her, and behind her is Bernard Baker. Next to Bernard is Mike McTimmus and beside him is Joe Carle in his manual chair. In front of Joe, George Florum sits sidways and looks out at the camera with a pissed off expression intensified by his dark sun glasses. Behind and to the side of him is Chris Hronis in a power chair, and someone stands behind him. Caption reads: Members of ADAPT protest at the Radisson Hotel in downtown Denver. They were there yesterday as the Urban Mass Transportation Administration held its fifth annual Symposium on Public Transit and the Private Sector.
US_Capitol_Rotunda_part_2_cap
This is part 2 of the ADAPT Capitol Rotunda protest in support of the Americans with Disabilities Act, ADA. This shows the group preparing for civil disobedience to pressure swift passage of the bill. Over 100 people were arrested at this protest, which gets less attention than the Crawl but was equally intense. The film is open captioned (as are all videos on this museum site).